GLAAD Media Awards
Posted: June 8, 2012 Filed under: Uncategorized | Tags: 30 Rock, comics, Cory Monteith, Ellen Degeneres, entertainment, fundraising, gay, GLAAD, glaad media awards, Glee, homeless, interview, Josh Hutcherson, lgbt, Los Ángeles, media, MTV, Naya Rivera, New York, non-profit organizations, Rich Ferraro, Ricky Martin, San Francisco, The Ali Forney Center, The Daily News, The Hunger Games, The Trevor Project, The Wall Street Journal, theater, Tracy Morgan, TV, USA Leave a comment »Each year the Gay and Lesbian Alliance Against Defamation (GLAAD) gives out a number of media awards to honor outstanding images and stories of LGBT people. Since they first began in 1990, they’ve become the single most prestigious recognition of its kind. In 2012, the 23rd GLAAD Media Awards were presented in ceremonies in New York, Los Angeles and San Francisco. This last one just took place last weekend.
A few weeks ago I talked to Rich Ferraro, Director of Communications at the organization, about the awards and the organization’s influence in the media.

How did the GLAAD Media Awards start? What is their purpose?
GLAAD is an organization that works with the media to tell stories about lesbian, gay, bisexual, transgender people. We work with a wide range of media from entertainment outlets, movie studios and TV networks to national news outlets in America, religious press, sports media, online media. We’ve seen that when people hear stories about LGBT people, and allies of LGBT people, they come to learn that LGBT people deserve the same opportunities as they do.
The GLAAD Media Awards honor those stories. They began with an awards ceremony in New York 23 years ago with just a handful of honorees, because LGBT issues were not so spoken about in the media, and certainly not spoken about in a positive way. We wanted a way to say you’re doing a good job, and we want others to follow. And now what we’ve seen is that the awards have become the most visible LGBT event in America, and likely around the world. We’ve had celebrities from Ricky Martin to Ellen Degeneres and Josh Hutcherson, star of The Hunger Games.
Can you tell me about the process of choosing honorees?
We have nominees in English and Spanish-language for a total of 35 categories including news, entertainment, TV, film, as well as some smaller parts of our culture like theatre, comic books, where stories of LGBT people are impacting our culture and creating change. GLAAD has a series of volunteer juries with expertise and with industry experience in all of these different areas. The juries come up with a pool of nominees with a termometer in the media year-round, whether it’s music artists who have used their recent albums to raise awareness on LGBT issues, or monitoring local news media.
GLAAD’s Board of Directors, staff and some of our major donors choose. They vote on the winners. The criteria for voting on the awards recipients is that they are fair, accurate and inclusive of our community, of the full diversity in the LGBT community, it should be original content, a news story that we haven’t heard before, tactful, reaching Americans and those around the world, and overall quality.
There are three ceremonies. Is there a different set of categories or audience for each? Do they have different goals?
The goal of each ceremony is to provide a platform for celebrities and media outlets to talk about their support for LGBT people. It is also to honor public figures and media outlets who are doing an exemplary job. The GLAAD Media Awards have become an industry benchmark that a lot of different movie studios, production companies, newspapers and television networks strive for. They want this recognition. They want to know that they are doing a good job for our community.
The GLAAD Media Awards are also a fundraiser for GLAAD’s work year-round to tell stories of LGBT people. The awards in the three different cities are part of our fundraising. It’s also kind of a way for us to get in front of different communities around the country. In addition to the people who attend the events, each of these has a program with young adults, LGBT and their allies, who come to the awards for free through generous donations from our sponsors. They are able to interact with others like them, to say hello to celebrities who support them for who they are, and they get to see the show.
Do you think the GLAAD Media Awards somehow help push forward or enhance someone’s career, a certain media or show’s success?
I think what they’ve done is they’ve pushed celebrities, public figures and media to do a better and more proactive job at telling LGBT stories.

Cory Monteith and Naya Rivera, stars of “Glee” and this year’s hosts at the NYC ceremony.
Speaking of GLAAD’s work more generally, where does GLAAD draw the line between calling out on media’s unfair representation of LGBT people and issues, holding them accountable for their words and images, and making it seem as if GLAAD is maybe trying to censor the media?
More and more when we’re calling out celebrities or media outlets, we’re trying to do more than just get an apology. We’re trying to make it a teachable moment for our culture, and we’re trying to start a national dialogue.
Last year Tracy Morgan, a comedian and actor, made a joke in a standup routine that if his son was gay he would stab him. At GLAAD we hear stories when we work with organizations such as The Trevor Project, we know of the harm and what could happen to LGBT young people when their parents don’t accept them. We’ve also heard terrible stories about the violence that LGBT people face. What we wanted with Tracy was not to bully him into an apology, not to get a two-sentence press statement, but we wanted to use that as a way to really start a national dialogue about what it means when parents reject their LGBT kids, and the violence that LGBT people face.
We spoke with Tracy Morgan, we told him we wanted to take him to The Ali Forney Center, which is a homeless shelter for LGBTs in New York City. He went there with us, he met with young adults whose parents didn’t approve of who they were, and as a result these kids were turned away. Thankfully they had an organization such as The Ali Forney Center to welcome them.
Tracy then spoke with the media and told his fans, who are people that maybe wouldn’t generally hear of this, about why they should accept LGBT people. They heard from someone they admire and from someone whose career they follow that the right thing to do is to accept your kids no matter what. We also worked with teens at The Ali Forney Center to get them to talk about their own stories in the press. After they met with Tracy they went to The Daily News, The Wall Street Journal, MTV News, to some really powerful and international news publications so they could talk, not only about meeting with Tracy but also about their own personal stories.
More and more we’re really trying to push the envelopes. It’s not so much about GLAAD versus the media. It’s about GLAAD telling a wider story.

You can follow Rich Ferraro and GLAAD on Twitter, learn more about GLAAD Media Awards and this year’s honorees here, and read about a project I collaborate with on GLAAD’s blog.
The honest art of Raghava KK
Posted: August 25, 2011 Filed under: Uncategorized | Tags: app, art, Bangalore, Brooklyn, Erykah Badu, family, Forbes, India, interview, iPad, lgbt, Mashable, New York, Park Slope, Paul Simon, Raghava KK, TED, Yann Vasnier Leave a comment »Raghava KK is an emerging, successful artist from India who began his career as a cartoonist in Bangalore and now lives in Nuevallorrrr. He has had a very interesting life, and his fascinating work is a reflection of that, exploring subjects like gender & sexuality, politics, coming out, death, pain, joy, identity… An authentic magic carpet ride, as he called it at TED 2010:
I first read about him in a post on Gay Persons of Color where they talked about a children’s iPad app he created to depict different kinds of families, including homoparental ones. This made me want to contact him, and Raghava was kind enough to answer the following questions. Enjoy!
Tell me about your work as an artist.
I have reinvented myself, and in turn my work, several times in the last decade or so. I work in many genres, spanning painting, sculpture, installation, film and performance, but my work is always linked by my challenging opinions on identity, conformity, gender, celebrity, and ceremony.
Why are you an artist?
I use art as a tool of exploration and as an aid in critical thinking. For me, the process of making art is akin to living a philosophy.
What do you look for, what do you try to show with your work? What do you expect people will see, feel, think, do through it?
In my work, I try and expose oftentimes the simplest of truths, the things that are most obvious to me, in the most honest manner possible. My work is not pedagogical by nature. Simply by creating honest art, I hope to trigger meaningful thought, reaction, feedback, etc.
What about Pop-it? What point are you trying to make?
The iPad app was created after my move to New York. At first, I felt a strange sense of the unfamiliar in most of the children’s books that I bought for my children here. This led to a belief that a) children’s books are most often full of propaganda, and b) children’s books serve as subtle manuals on parenting. My first reaction was to counter this with “my propaganda.” However, my wife and I, after a series of back and forth discussion, decided that multiple perspectives introduced at an early stage can lead to empathy and open-mindedness. This early stage that I’m talking about is not only in children, but also parents in the early stages of parenting. To be able to appreciate multiple perspectives and to be able to put yourself in different people’s shoes (whether you accept their views or not) is the beginning of empathy.
What kind of response has Pop-it received?
It’s interesting you asked that question. The critical/academic community has been extremely encouraging. A stringent book review website, KirkusReviews.com, gave me a Kirkus Star (for books of remarkable merit) and says about the app: “A first-rate mind expander, this app rewards repeat visits and depicts several family constellations with irresistible intimacy and good humor – all the while featuring uncommonly inventive art and software design.” Forbes.com and Mashable.com gave Pop-it fabulous coverage and the TED Conference launched the app at the TED Global Conference. However, I am very saddened by the tremendous effort that a few communities are putting in to mark the app as inappropriate for children, simply because of its tolerance of homosexuality, You can see for yourself the kind of comments that people are making here.
How do you expect Pop-it will impact those who use it?
This app is unique and I believe pushes the envelope in that it has no words and defies the traditional concepts of beauty otherwise found in children’s books. I leave it to the parents to interpret it. In this, it is similar to a series of painting that the parent and child together experience, participate in, and interpret. I know one of the pieces of critical feedback I have received has to do with the lack of a defined storyline and the lack of words. It’s a very conscious decision of mine to avoid both of these in the hope that the words come alive through the interpretation.

What effect do you think art in general has, or you wish it had, in societies?
I really believe that an artist’s journey is pure and honest, even if it is self-indulgent, and that he contributes to this world his unique perspective. I see the artist as the meeting place between science and religion, philosophy and physiology, conscious and unconscious. Therefore, each artist has to be contextualized in his own terms and it is certain that any effort made on these grounds will be invaluable in the lessons taken away. Having said this, I don’t believe that there is a general rule of thumb in the kind of impact art should have in society. It is merely a tool for true critical thinking and self-realization.
I read that your work was present even in your own wedding. Can you tell me about that?
I am very interested in ceremony and identity. My wife and I worked very hard to create an experience that was both celebratory and extremely lavish in creativity (over 100 artists contributed various aspects, including fashion, design, DJing, vegetable carving, etc.) and that at the same time spiritually connected with the past. We adapted the ceremonies to compensate for chauvinistic tendencies. Here’s a mockumentary about the wedding that is fun and crazy.
The idea of starting my own blog was originally triggered by the experience of living in New York City. Why did you move there? What has that experience been like?
There is no place like New York City. I love living here because it is a leveler city. I live the most exaggerated dreams here and at the same time, have the most domesticated, mundane, beautiful, family life in Brooklyn. Over here, I’ve collaborated with some of the greatest artists – I designed t-shirts for Paul Simon and Erykah Badu, worked with Yann Vasnier (the nose), and artists, dancers, etc., while walking my dog and pushing my double-stroller in Park Slope.
More of Raghava can be found on his website, Facebook fan page, and you can follow him on Twitter.
Jon Tolins
Posted: July 29, 2011 Filed under: Uncategorized | Tags: blogging, Christopher Street, Connecticut, El último sábado de junio, Fairfield, gay, interview, Jonathan Tolins, lgbt, Los Ángeles, mexico city, New York, pride, Queer as Folk, The last Sunday in June, The twilight of the Golds, theater, TV, West Village 5 Comments »Jonathan Tolins is an awarded playwright, screenwriter, blogger, activist, husband and father of two, living in Fairfield, Connecticut. He has written, among other things, The last Sunday in June - which was recently translated to Spanish and is having a short season here in Mexico City, as I blogged about.
Jon’s work questions love, sexuality, relationships, politics, genetics, hatred, fears… life! And besides his scripts, he has other great things to say. I interviewed Jon and am glad to share this with you. Thanks for reading and commenting. :)
What inspired you to write The last Sunday in June? I was living in the West Village overlooking Christopher Street in New York in the late 1990′s and on Gay Pride Day in 1997, a bunch of friends dropped by unnanounced to watch the parade from my window. We started joking that it felt like we were in a gay play with all the familiar conventions. We laughed a lot. The next day I wrote down some of the conversation and took it from there. I was in my early thirties at the time and my friends and I were at that stage in life where you begin to examine where you are, the choices you’ve made, and the roles you find yourself playing. I was feeling sensitive to the pressures from within the gay community, as well as those from outside. I thought I might have something to say about it.
Do you personally agree with or support LGBT pride marches? Sure, I think the parades can be wonderful. I understand how the more outrageous displays of gay sexuality can make people uncomfortable since that is what will always make the evening news, but I think society (for the most part) has gotten past that squeamishness. I have marched in several parades, both in New York and Los Angeles, and always had a great time. I was on a float with The last Sunday in June company in 2003, which was wonderful. Even better were the times I marched in Los Angeles with my husband and our daughter, as part of a gay parents group. That was “living the dream.” Selina waved to the people from her stroller like the Queen of England.
How do you think your work (written, TV…) affects people who read or see it? I honestly have no idea. I hope that people find that I’ve written truthfully about the characters and the work inspires audiences to talk and think about their own lives, or to find expression for things they’ve been thinking and feeling themselves. But I can’t think about that when I write. I just have to follow my imagination and be as honest as I can.
In what ways has your work had an effect on the LGBT community/movement? Alas, my work is far too obscure to have had any significant effect on the LGBT community/movement. The most widely seen work of mine is probably my contribution to the U.S. version of Queer as folk, but that was always through the filter of the executive producers who ran the show and I’m afraid it was never very close to what I intended. I think The twilight of the Golds may have had a small impact in giving the community a way to talk about the genetics issue. Those discussions come up again from time to time with reference to my play, so I’m proud of that. Most of all, I have heard from individuals who have been influenced or inspired by some of my work and that is intensely gratifying.
Check out Jon’s website and follow him on Twitter.
*El último sábado de junio tiene sus últimas tres funciones este fin de semana: viernes 20:00 horas, sábado 19:00 horas y domingo 18:00 horas.
“I do,” said New York
Posted: July 25, 2011 Filed under: Uncategorized | Tags: Albany, coming out, community center, gay, lgbt, marriage, marriage equality, New York, pride, same-sex marriage 2 Comments »In the past five years New York has been a place of much growth for me. Not just Nuevallorrrr (as New York City is known around here), but New York State: I spent a summer working upstate and started to come out right there, between mountains. No cell phone reception and everything. Then I interned at a state government agency and saw Albany (the capital) and a couple of other places.
New York is where I first fell in love (or something of that sort). It’s where I learned there was such a thing as an LGBT community center, attended my first political rally and gay pride march. Where I started to discover and passionately go after my goals.
New York is where I’ve seen some of my most admired artists, met some of my most respected leaders, made some of my best friends, danced at some of my highest-assessed parties, taken some of my favorite photographs, and had some of my favorite food.
New York is where I became bold enough to come up and talk to anyone, to knock on whichever door I want to open, to try anything and know I can actually do it. New York is also where I learned you should not lobby a member of the senate without removing your eyebrow piercing.




That is why it makes me oh-so-happy that, since yesterday, New York has recognized lesbians, gays, bisexuals and trans people as first-class citizens, becoming the sixth and largest state in the U.S. to legalize same-sex marriage. I wouldn’t say New York is where it all began (not sure that we can say that about any place), but it is definitely the place where a large chunk of rights for LGBTs began to be fought for. So, for this to happen is only fair and right.
New York has again said yes to equality and no to discrimination. New York finally put its foot down and said “I do“. And this post is me joining the celebration. :)







